“Silliman\'s Argus-eyed daily also includes whatever dance, music, and films the editor is attending to, and his daily bulletins and commentaries remind me more of an arts newspaper than a journal. . . . His blog is the best vehicle we have at this point for news on what is new.”
–Clayton Eshleman, editor, Sulfur “It would be impossible to overestimate the importance of Ron Silliman’s Age of Huts; it was ground-breaking when it first began to appear, piecemeal, a quarter of a century ago, and it remains a revolutionary work today. With its proliferative architecture, its encyclopedic arc, and its endlessly inventive methodology, The Age of Huts, with every sentence, renews its engagement with the world.” —Lyn Hejinian, University of California, Berkeley “Morris made her mark on the then-burgeoning Hip-Hop influenced New York poetry scene a decade ago when she won both the Nuyorican Poets Cafe Grand Slam championship and the National Haiku Slam Championship. Soon thereafter, she began to add more experimental sounds to her work, including free jazz and African and Indian classical music. In her performance poetry, she creates soundscapes that blend rock, jazz, hip-hop and funk with experimental digital loops, samples and special effects. —Tracie Morris web site Friday, October 26, 2007, 3-5 PM Welcome Center Auditorium, Warren and Woodward Avenues, Wayne State University, Detroit. Free and open to the public Preceded by an informal talk by Ron Silliman on the poetics of blogging and the editing of his renowned site Silliman’s Blog (http://ronsilliman.blogspot.com) Friday, October 26, 1-2:30 PM English Department Conference Room, 10304 5057 Woodward Avenue |
Tracie Morris, originally from Brooklyn, New York, emerged as a writer from the Lower East Side poetry scene in the early 1990s, where she became known as a premier performer in the "slam" scene located in the Nuyorican Poets\' Cafe. She has toured nationally with other "slam poets," including Maggie Estep, Dael Orlandersmith, Mike Tyler, and Paul Beatty.
She has also collaborated with musicians she met through the Black Rock Coalition, an organization that she was affiliated with from the late 1980s through the mid-1990s. Morris is known as a sound artist/sound poet and theatrical performer; her works are available at PennSound (http://writing.upenn.edu/pennsound/x/Morris.html).
She is the author of Intermission (Soft Skull Press, 1998), and teaches creative writing at Eastern Michigan University. (More information on Silliman and Morris can be found on Wikipedia, and other sites.)
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