For Detroit artists, almost anything goes
Robert Sestok installed 29 of his welded sculptures in a former empty lot in Midtown, next to several abandoned buildings. Sestok's park, City Sculpture, is the culmination of a career that pivoted around Detroit. Reared in its suburbs, he moved back in the 1960s, affiliating with the Cass Corridor artists, named for a then-dangerous corner of town. (Near Wayne State University, it has since been cleaned up and rebranded Midtown.) They had an artist-run gallery - a dozen partners, a dozen shows a year - and flourishing practices. Like others, Sestok briefly decamped to New York, following the artist Kiki Smith, who was his girlfriend at the time. But "I couldn't acclimate myself," said Sestok, who now lives in a rambling, art-filled house six blocks from where he was born. He refurbished it himself and added a separate studio, built in 1985 with an N.E.A. grant. Until about 12 years ago, he sustained himself by rehabbing houses. His sculptures - abstract, tall industrial pieces incorporating materials like propane tanks and shovels - dot the city and suburbs. "In the last decade or so, he's really found his voice," said Dennis Nawrocki, an adjunct professor at Wayne State University and the author of "Art in Detroit Public Places." Sestok has started a nonprofit and hopes to exhibit other artists there; the opening party, with food trucks and a nine-piece rock band playing on a flatbed truck, drew Cass Corridor artists from New York as well as Detroit's younger generation.